COCOA (digital humanities)

COCOA was an early piece of word processing software and associated file format for digital humanities, then known as humanities computing. It was approximately 4000 punched cards of FORTRAN and created in the late 1960s and early 1970s at University College London and the Atlas Computer Laboratory. Functionality included word-counting and concordance building.

Oxford Concordance Program

The Oxford Concordance Program (OCP) format was a direct descendent of COCOA developed at Oxford University. The Oxford Text Archive holds items in this format.

Later developments

The COCOA file format bears at least a passing similarity to the later markup languages such as SGML and XML. A noticeable difference with its successors is that COCOA tags are flat and not tree structured. In that format, every information type and value encoded by a tag should be considered true until the same tag changes its value. Members of the Text Encoding Initiative community maintain legacy support for COCOA, although most in-demand texts and corpora have already been migrated to more widely understand formats such as TEI XML

Taxi!

Taxi! is a 1932 American Pre-Code film starring James Cagney and Loretta Young. The movie was directed by Roy Del Ruth.

The film includes two famous Cagney dialogues, one of which features Cagney conducting a conversation with a passenger in Yiddish, and the other when Cagney is speaking to his brother's killer through a locked closet, "Come out and take it, you dirty yellow-bellied rat, or I'll give it to you through the door!." The provenance of this sequence led to Cagney being famously misquoted as saying, "You dirty rat, you killed my brother."

Also, Taxi! marks the first occasion when Cagney dances on screen, as Matt and Sue enter a Peabody contest at a nightclub. To play his competitor in a ballroom dance contest, Cagney recommended his pal, fellow tough-guy-dancer George Raft, who was uncredited in the film. In a lengthy and memorable sequence, he scene culminates with Raft and his partner winning the dance contest against Cagney and Young, after which Cagney slugs Raft and knocks him down. As in The Public Enemy (1931), several scenes in Taxi! involved the use of live machine-gun bullets. After a few of the bullets narrowly missed Cagney's head, he outlawed the practice in his future films.

Taxicab

A taxicab, also known as a taxi or a cab, is a type of vehicle for hire with a driver, used by a single passenger or small group of passengers, often for a non-shared ride. A taxicab conveys passengers between locations of their choice. This differs from other modes of public transport where the pick-up and drop-off locations are determined by the service provider, not by the passenger, although demand responsive transport and share taxis provide a hybrid bus/taxi mode.

There are four distinct forms of taxicab, which can be identified by slightly differing terms in different countries:

Taxi (Bryan Ferry album)

Taxi is the eighth solo studio album by Bryan Ferry, the former lead vocalist for Roxy Music. The album was released on Virgin Records in April 1993, over five years after the release of his previous album Bête Noire. This was Ferry's third solo album since the second demise of Roxy Music in 1983, ten years earlier. The album was a commercial and critical success, peaking at No. 2 in the U.K., it was certified Gold by the BPI.

The first single, "I Put A Spell On You" was the album's only top 20 hit in the U.K., peaking at No. 18. The second single, "Will You Love Me Tomorrow" narrowly missed the U.K. top 20, peaking at No. 23. The third and final single, "Girl Of My Best Friend" peaked at 57.

Production and recording

When Ferry was asked about the album, he said "Since I started work on the Taxi album, everything has gone great for me. The last two years have been terrific, but I had three or four miserable years. Doing the Taxi album was the start of getting things right. Just getting something done quickly and efficiently was very gratifying. Finishing something I liked and getting back into singing again, getting away from my own writing temporarily was a good thing."